Thursday, July 9, 2009

Feelin' Peachy - Tutorial


Welcome to my first blog tutorial. I'll cover a little bit of my thoughts and my process for creating an ad I did with an "color editable spattering" technique for a regular client of mine. The technique is great for quickly creating variations for color keys and comps.The challenge was to create a dynamic Welcome to Atlanta Top Ten list, while using the assigned cliche of a Peach.

I'd been fascinated by late nouveau / bauhaus posters and also the Ratatouille posters uber talent Eric Tan-borrow from the best. I wanted to create a technique that would give me the textural style of the prints but have crisp vector edge treatment as well.

After settling on a sketch, I build from basic shapes to make sure the design still communicates properly.

Here are the basic non-type shapes.

A little frisket was made from a vector path that represented the inner color and leaf. Next I created the overlaying textures by spattering BLACK ink with a toothbrush onto illustration board, the frisket masking off the desired area.

A couple spatter variations were made of each shape to let me add color variation later and give me more options to choose from.

I scanned the dried ink and coverted the color mode to GRAYSCALE. (JPG, PNG, or TIFF file fortmats work fine)

In Illustrator I've placed all the pieces and can reassign and manipulate the coloring at will with the color sliders even pantone colors- (evil power hungry laugh).
Here I liked to use multiply( in the transparency window) so the colors to ineract and mix a little.

I wrote/designed the text, modifying the company's font, Geometric 315, to take on the Bauhaus style for the titles. A broad texturew as added in the background. I'm always taking pictures of random textures and scanning odd things to create an endless reference library to work with for both illustration and design.

To add the finishing touches, I used the text paths to masked some additional spatterings. The repeated textures help make sure that the texture and and crisp edged text are unified. Violla! See the completed image at the top of this post.

Please leave feedback, and I'll see what other traditional /digital tutorials I can put together. For some great tutorials on digital painting check out videos by Chris Oatley and Sam Neilson. They are both generous artists and amazing people.

Tuesday, June 16, 2009

Sketches: Factory and Feast

I couldn't help posting these sketches and offer some sage advice from today. No mind-blowing drawings, but it's part of what I did today.
My mother-in-law took the family to a buffet tonight, where I met the gentleman in the sketch.

He had an entire plate full of steak and then several other plates as well. A "Wide Mouthed Bass" shirt he wore suited him I thought; he made a great character to sketch

Advice #1
Now, I'm not Mr. Universe but I need to say, if this drawing resembles you...Put down the FORK!

The second sketch is a nearby factory I did during lunch. I did it mostly to hone my marks; there is no forgiveness with a pen and line mistakes are obvious in architecture.

Advice #2
If you want to get better, use every minute available to improve- the commute, meal time, after hours, while your file is saving,etc. No one has enough time to do everything, so make the things you do accomplish meaningful- whether that's family, work, talents, or even relaxing.

See ya' soon.

Sunday, June 7, 2009

Colored Expressions


What do you do to exercise your lighting muscles? Here's my weak attempt as promised. I am pleased to have flexed a few muscles but feel I could have tried to stretch more in regards to dynamic lighting. I used no reference for the lights.

Please let me know of any skill refining exercises you know of; continual growth, that's what life's all about.

Wednesday, June 3, 2009

Expression Sketches


I have been up late tonight working on color keys and needed something to relax. SILLY FACES! I like the hyper-extension of the features, but know I need to work on economy. I started to do color variations but started nodding, I'll try to post them before the end of the week.

Monday, May 4, 2009

Personal Project- Rough JUMBO development



Aloha friends-
For those who have wondered what's been cooking in my studio, I'll let you in a couple projects since they're not for any client. I'm posting a couple of animation backgrounds-still very rough- to keep myself motivated and to fish for feedback from my superiors PLEASE.

I'm developing a collection of backgrounds for my entertainment design portfolio with some much appreciated guidance from Lou Romano, and Glen Harmon- Thanks again guys. I hope to have 4 more backgrounds completed shortly.

These are from a story I'm developing based on the famous JUMBO elephant. I have childhood memories of the Jumbo monument in my dad's Canadian home town where Jumbo died. The historical and period research is there and I am getting into the paint.

I'm a only a few hours into these, and hoped that my fellows might steer me away from pending disasters.

I hope the backgrounds reflects the way a circus infuses a slow dusty town with life through color saturation and shape dynamics. I am also designing signage pieces for the story; here is circus paste-up banner where I tried to incorporate the shape of the elephant's trunk in the design. I've also tried to cluster the other circus characters into depending on how they relate to Jumbo-fear vs. fascination, trickery vs. apparent craft, etc.

Tuesday, April 21, 2009

IF Impossibility


If you could split your personality into various separate characters what would they look like? This impossible gathering is a triple self portrait- no not the monkey. Sometimes I take myself too seriously ( the guy in the middle) and fail enjoy life to it's fullest.

I sure wish I would have planned more for the background.

Monday, April 13, 2009

IF - Fleeting




Life is fleeting- from the nest to a final rest. This is a quick still life I'm working on to refine my digital painting techniques. I'm trying out some amazing Photoshop brushes from Chris Oatley, a generous and thorough illustrator. I'm learning as I go and there is always so much to learn! If any of you have pointers/suggestions I'd appreciate any feedback.

Enjoy

 

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